Warhammer 40,000: Space Marine

What Space Marine does best is capture the spirit of its universe. The Ultramarines' weathered armor is so heavy and hardy, they don't so much wear it as it wears them. As you push through battle-worn trenches, the Orks' makeshift machinery erupts from the ground, shaking the earth. Roaring greenskins in rocket packs rush past, providing a touch of comedy amid all the carnage. And such carnage it is. Enemies erupt in soggy displays of goo, yet the waves continue, your foes' bloodthirst overcoming their sense of self-preservation. When you carve your chainsword through these forces, the buzz is so authentic that you can almost feel the green flesh being torn away from your foes' skeletons. The visuals and sound both work hard to promote this brutal atmosphere.

The story, on the other hand, is as dry as the battlefields are sodden. (To wit, the opening cutscene begins with a sequence featuring the ever-exciting storytelling device called "words displayed on a monitor.") As Captain Titus, your role is to mow down Orks and, later on, the forces of Chaos. You and your comrades speak in lofty, stentorian tones and act as mere pawns of the plot. The main players are voiced well but are as forgettable as can be, everyone filling their assigned roles but rarely giving you a reason to care about their destinies. The story is too simple for the plot "twists" to feel anything other than inevitable, and while the cliff-hanger ending sets up a sequel, you probably won't feel all that curious about what might happen next.


All the blood lets you know your enemies are good and dead.
Not that the promise of more Space Marine is a bad thing. The action is a fun mix of third-person shooting and melee. The sense of weight to the movement, the camera perspective, and the weapon selection interface might at first bring to mind Gears of War, but the similarities are superficial. You might be clad in weighty armor, but you aren't burdened by it. Aiming is swift and smooth, allowing you to gun down dozens of targets without breaking a sweat. When the crowd gets too close, you can swing your chainsword (or axe, or hammer) about with ease, the Orks spraying so much gore it's a wonder there aren't puddles of it to wade through. And unlike in Gears and its ilk, there is no cover system. Space Marine wants you to keep busy, not remove yourself from the action. The health regeneration system also complements the "kill, don't hide" mentality: to restore health, you perform a grotesque finishing kill. This doesn't mean that each enemy is a quick pick-me-up waiting to be harvested, mind you. You are vulnerable during these lengthy moves, so you must be careful not to leave yourself open to gunners or other attackers. Succumbing to death while executing a long fatality can be irksome, but a little tactical thinking should keep that from being a frequent occurrence. In any case, while the final acts have their challenging moments, Space Marine is not particularly hard, so frustration is uncommon.

And so you put an end to the masses of meanies threatening the Forge World you protect. And it's fun, due in large part to your arsenal. You always have your bolt pistol (or its plasma equivalent) and its unlimited ammo when necessary, but it's better to take aim with the bolter, an assault rifle with a good kick to it. It's effective at surprisingly long range, and strong sound effects and a good sense of impact make it fun to use. (You can see the blood spewing from enemies hundreds of feet away.) The scoped stalker bolter is a nice toy, too, best used to take out distant gunners before wading into a sea of daemons with a death wish. The melee action has bite to it as well, though Space Marine is more shooter than hack-and-slash. When you get to the hacking and slashing, you mostly just pound on buttons and perform the occasional brutal execution. Fury mode--in which you become a temporary tornado of carnage--breaks up the repetition with some snazzy slow-motion visuals and extra helpings of Ork intestines.

Operation Flashpoint: Red River

Operation Flashpoint: Red River had me from the moment the intro video started playing. It gives a brief history lesson of the events that leads to your mission as a U.S. Marine in Tajikistan. This video is funny, witty, and informing. With this as an introduction, Codemasters takes the player to 2013 to participate in missions that feel real. That is the point of Red River: realism.

The game is classified as a tactical shooter. It has more realism than Call of Duty but less action-packed moments. That’s not to say the game isn’t exciting. It’s just different. Consider this game a hybrid of SOCOM and Call of Duty, using squad-based gameplay and thriving off strategy. 

Positioning is everything in Operation Flashpoint. You can direct your squad members to follow you or take cover behind a wall and lay down suppressing fire on a building, allowing you to move. These decisions can determine the success of your mission. 

Unlike CoD, you won’t be running around a map, spraying bullets and resting behind walls while you wait for your health status to return to normal. In this game, if you get shot then you will continue to bleed. You need to patch the wound immediately. The same goes for your teammates. You don’t want them bleeding out; otherwise you are down a man. 

One shot can be deadly in this game. Sometimes you’ll learn that the hard way, like when you attempt to sprint to a building 80 yards away just to get shot and have to reload from the last checkpoint. The realism of this game will frustrate some, but it will also fill a niche role for others looking for more strategy to their shooter.

None of this means that the squad mechanics won’t frustrate you. Sometimes you need to direct your AI friendlies to get into a truck or hide behind a wall instead of standing in the open getting shot. It feels like you’re trying to direct a group of 10 year-olds at times. This game is an entirely different experience when playing with AI, as opposed to playing with three others in a drop-in, drop-out four-player campaign. 

The game also features an RPG-type element to it. Each player fills one of four Marine roles: rifleman, grenadier, scout and automatic rifleman, each with their own weapons and abilities. Players also gain experience for whatever roles they are playing as. The experience is used to unlock new weapons, attachments, and perks for each class, and players also get to upgrade the core abilities of those roles by assigning points into areas that let you sprint longer, give you more accuracy with a certain weapon, or switch weapons more quickly. It’s a good feature that lets you feel like you are working toward something other than finishing the story.

The language that is used by the characters can rub some people the wrong way. They don’t curse like sailors; they curse like Marines. Every line of dialogue takes me to new heights of profanity that I didn’t know existed. Curse words are used to describe everything, and each sentence is laden with them. However, it is authentic. My cousin, who was in the Marines, told me so. 

The game isn’t without its faults. The HUD is cluttered and hard to understand, the waypoints aren’t always clear on where to go, there’s a lot of cut scenes and long buffering times, and it can get really annoying having to patch anytime you or a teammate get shot. Also, while the game looks fine, it isn’t kicked up to the Call of Duty level.

Operation Flashpoint: Red River isn’t your typical shooter. You’re not going to be a gunslinger, running into a compound to take out a horde of enemies like a one-man wolf pack. It’s a slower, more tactical, squad-based shooter that relies on teamwork, strategy, and finesse. With a good upgrade system for each role and a smart co-op experience, this game offers a realistic and authentic experience of what a United States Marine might experience in combat. Semper Fi!